Sculpture Center

Founded in 1928, SculptureCenter is one of the most vibrant and experimental sculpture galleries in New York City. It exhibits work by internationally recognized artists, and also supports young and emerging talent.

SculptureCenter’s exhibitions and programs encourage art’s creative possibilities and the ways it connects to other genres, including video, installation, performance, architecture and other media. It leads the conversation on contemporary art by highlighting sculpture’s specific potential to change the way we engage with the world.


Since its founding in 1928, SculptureCenter has been one of New York City’s most innovative exhibition spaces. Its decades of experience connecting emerging and established artists with the public ensure that each exhibit is engaging, creative, accessible, and represents the latest trends in contemporary art.

Sculpture Center commissions and presents solo exhibitions to encourage contemporary experimentation in the field of sculpture. These exhibitions often utilize the center’s unique gallery space in a creative and unconventional way.

In addition to the exhibition program, SculptureCenter produces publications such as exhibition catalogs and artist books, hosts events and programs that complement our exhibitions, and offers a wide range of educational programming for children and adults. Through these initiatives, SculptureCenter fosters deep and long-term connections between artists, their work, and the community.

Public Programs

Sculpture center offers a wide range of public programs that include exhibition openings, artist talks, film screenings, and performances. These free events are open to the public and are a great way to learn more about sculpture.

In addition to the exhibitions, sculpture center also hosts a summer program called Public Process, where students work with artists and community members to create temporary public art. Past projects have included Mika Tajima’s Meridian (Gold), Xaviera Simmons: Convene, for the waterfront of Hunter’s Point South Park, and Words Like Love: Alphaville, among others.

Sculpture center has also helped to establish an Ohio Outdoor Sculpture database, which promotes awareness and appreciation of outdoor public sculpture. The OOS database includes images, historical data and condition information on more than 1,500 publicly accessible outdoor artworks in the state. The database is free to download and can be used by communities to recognize, preserve, and promote their outdoor sculpture.


Sculpture center offers a full range of educational programs designed to engage students of all ages in the visual arts. These interactive and hands-on workshops are available on Tuesdays, Wednesdays, and Fridays between 9 a.m. and 3 p.m.

Our program encourages a creative exploration of sculpture in the various facets of the medium, from handling clay to creating installations and assemblages to the visual imagery born of conceptual revelations.

In addition, students receive instruction in a wide variety of traditional and innovative practices. This includes woodworking, plaster work, sculptural casting in iron and bronze, aluminum and plastics, as well as laser engraving and 3-D rapid prototyping.

For young sculptors still in school, The Center also coordinates an internship program and an annual Design Assignments exhibition. Visiting artists contribute to student learning through lectures, open studios, and individual critiques of student work. The Margaret Stonewall Wooldridge Hamblet Award, a $25,000 grant to support travel and art making during the year after graduation, is also offered.


In addition to exhibitions, Sculpture Center is a hub for conversations and engagement, providing critical resources to artists. It is one of the only cultural institutions offering creation, exhibition, mentoring, conversation and engagement, and support to sculptors as they build their careers.

Founded in 1928 as Clay Club, SculptureCenter has long been at the forefront of New York’s contemporary art scene. It is a space for contemporary experimentation in the field of sculpture and features primarily comissioned works, bringing the latest trends in contemporary art to its unique gallery spaces.

SculptFest22, the organization’s annual outdoor exhibition, opens September 10 and closes October 23. Designed and curated by Evan Morse, this year’s theme is Games. Featuring a wide variety of site-specific works, the festival is free and open to the public. In-person and virtual field trips are also available. These are 30-minute to hour-long interactive experiences that connect students with incredible works of art that relate to their school curriculum.

Visiting a Sculpture Garden

When it comes to contemplating art, nothing beats a visit to a sculpture garden. These serene settings are perfect for relaxing with family or friends, or for finding a place to meditate.

Sculpture gardens are a great way to view art from multiple angles and learn more about form, material, color, scale, volume, and movement. Plus, they provide some incredible photo opportunities!

Sculpture is form in space

In its most simple terms, sculpture is form in space. The solid forms of a sculpture are its mass, and the negative elements (or voids) of the piece may occupy space, enclose or enfold it, and relate one to another across it.

In the past, sculpture has been made from stone, clay, bone, tusk, shell, wood, metals, plaster, wax, fibers, and more, but today, anything can be used to create sculpture: paint, found objects, industrial debris, or sound baths.

The spatial aspects of sculptural design have become the dominant focus of modern art. It was only in the twentieth century that sculptors began to recognize the importance of the positive and negative aspects of space.

Sculpture is a form of art

Sculpture is a form of art that has been used throughout history. It has been used to tell stories and reflect on the culture of a specific time period.

There are many types of sculpture and they can be made from a wide variety of materials. These include wood, stone, metal and clay.

The type of material that a sculptor uses to create their work will determine how it is shaped and the texture that it has. These can be smooth, rough or weathered.

It also depends on the color that they use. Often, artists will use natural colors but they can also use brightly colored artificial materials.

Sculptures can be created in the round or they can be created in relief. Sculptures in the round allow the viewer to see all of the details of the piece.

Sculpture is a form of nature

Sculpture is one of the oldest forms of art and has been found in almost every culture. Throughout history, different cultures have created sculptures out of a variety of materials including clay, stone, wood and metal.

Traditionally, three-dimensional form is the focus of sculpture. Sculptors often create maquettes, which are small preliminary works that allow them to test shapes and ideas without spending much money or effort.

Some sculptors also work outdoors, creating something intertwined in the natural landscape. This type of sculpture is called Earthworks, land art or environmental art.

Sculpture can be a very physical art form and the sense of touch is important. Many sculptors are creative, intuitive and sensitive. This type of career can be very rewarding for those who love to make art.

Sculpture is a form of meditation

Sculpture has long been central in religious devotion in many cultures, including those of the ancient Mediterranean, India and China. But while large, colossal sculptures are a hallmark of classical art, it is the smaller figurative forms that have been more common in religion, such as lingams and bi and cong.

Creating art is a powerful meditation practice. Whether it’s painting, piecing together a macrame wall hanging, or making jewelry, the mindfulness and concentration that comes with creating art can help you tap into your inner peace and calm.

Often, art-making and meditation are paired to help you focus on and release negative emotions in a more creative way. Meditative art-making, in particular, has become increasingly popular and is a good way to connect to nature, create beauty, and cultivate inner peace.

Sculpture Etymology

If you have been looking into sculpture, you have likely asked yourself what it is. Sculpture can be defined as a type of art that is characterized by its use of metals, such as bronze and copper, to create three-dimensional works of art. However, there are many different forms of sculpture and the word sculpture can be used in a variety of ways. Some examples include traditional sculpture, sculptures in the Middle Ages, and sculptures of the Philippines.

Traditional sculpture

The traditional sculpture is a three-dimensional art form that is produced by carving, sculpting, or molding materials. Initially, it was made of stone. Later, it was made of bronze or metal.

It was often created for ceremonial purposes. Many sculptures were also used for the adornment of buildings. In ancient Egypt, a large statue was usually created to memorialize a monarch. This type of work was also done in Mesoamerica.

During the 19th century, the term “sculpture” became broader. There were many small works based on the sculptural principle, and these included coins, medals, and hardstone carvings.

One of the most interesting developments in modern sculpture is the use of new materials. For example, some contemporary works use Styrofoam or cement to cover sculptures.

While sculpture has been in use for centuries, it is only relatively recently that new sculptural tools and techniques have been developed. The development of these new methods has enabled more artists to take on this task.

There is a huge variety of subjects in contemporary large sculpture. Many works feature animals. Although animals are the traditional subject matter for Chinese and Japanese stone sculptures, the subject is not always realistic.

Among the earliest forms of sculpture are petroglyphs. They are created by carving a section of rock and removing it from the surface.

Sculpture in the Middle Ages

In the Middle Ages, sculptors worked on a variety of different materials. Some artists created kinetic sculptures, while others experimented with new materials. However, bronze and wood carving were two of the most popular media for these types of art. These were both used to create religious and private devotions.

Sculpture in the Middle Ages was meant to educate the public about religion. Often, these works of art would depict biblical or historical events. They also emphasized the promise of return from death. This type of sculpture is sometimes referred to as sarcophagus relief sculpture.

Many medieval sculptural scenes appear to have been inspired by pre-Christian religious cultures. Christians, on the other hand, carved crosses and holy images from wood.

The most common motif in medieval statues was the Last Judgment. It symbolized the fate of the righteous and the sinful before Christ as a judge. Most statues depict Christian religious figures.

Aside from being a powerful visual symbol, a sculpture can be felt. To achieve this, the sculptor would build the work from the inside out in a soft material such as clay or wax. He would then fire it, which hardens the material.

In ancient Greece, the human form was the most prominent subject of sculpture. Artists would often use white marble, a material considered to be aesthetically pure.

Sculpture in the Philippines

Sculpture in the Philippines dates back to the pre-colonial era. The earliest Filipinos imitated the movements of nature and animals. It evolved into an art form during Spanish rule.

Sculpture in the Philippines was a precursor to neocolonial and modern art. Modern sculpture introduced a wide variety of materials and media. These new forms expanded the scope of sculpture in the second half of the 20th century.

Today, the country’s National Museum has a collection of works that spans the 18th century to the present. Several of the most important murals are displayed in New York.

In the 19th century, Jose Rizal was a renowned poet, leader of the Filipino Propaganda Movement, and advocate of independence. His work La Venganza de la Madre was a National Cultural Treasure.

Ivory carving was also done by native Filipinos in the Philippines during the eighteenth century. Other mestizos from the Chinese mainland also worked in the art of ivory carvers. By the sixteenth century, more than 30,000 Chinese lived in the Parian area outside the city walls of Manila.

During the American period, Filipino artists like Fernando Amorsolo and Guillermo Tolentino became famous for their sculptures. This led to the establishment of the Academia de Pintura, Escultura y Grabado de Manila.

Berlin Sculpture

Berlin sculpture is an art that was conceived in 1985 and was first unveiled by a husband-and-wife sculpting team. It is located on the Tauentzienstraße in Berlin.

Sculpture in Tiergarten

One of the most fun things to do in Berlin is to get outdoors. There are several parks in the city, but the most popular inner city park is the coveted Tiergarten. It’s also a great place for an al fresco lunch or to enjoy a bike ride. The city’s most famous sculpture, the Reitende Amazone, is also located here.

In a nutshell, the Reitende Amazone was a large pillar-mounted marble and granite statue, a gizmo if you will. It was also the first of its kind to grace the German capital. The column itself measures 8.3 meters high and weighs a whopping 35 tonnes. This sculpture is often a part of the city’s annual parade route. You can view it for yourself by paying the appropriate fee.

Sculpture in Kreuzberg

Kreuzberg is a trendy neighborhood in Berlin, known for its vibrant art scene. It’s home to some of the city’s most iconic murals. And it’s also an area that has plenty of history.

Bethanien Hospital was once the birthplace of Berlin’s cult singer Rio Reiser. Over the years, the hospital became a squatters’ paradise. But now it’s also a popular contemporary art venue. The building is filled with art studios and a museum. There are even regular workshops and walking tours.

Bethanien has been reclaimed as an art space, called Kunstraum Kreuzberg/Bethanien. You can find out more about the history of the hospital by taking a tour.

In the early ’70s, the hospital was a favorite place for squatters. This gave rise to collaborative art projects and music projects.

Sculpture in Viktoriapark

A good way to see Berlin is to visit the city’s best green spaces. One of them is the Viktoriapark. It’s a 16-hectare park with a lot of activities to keep you busy. This park is located in the Kreuzberg district. You can check out the babbling brook, the statue of Napoleon, and the iron national monument.

While there are dozens of parks in this city, Viktoriapark is one of the most famous. The park has a handful of fountains, ponds, and other features. These include the Lorelei Fountain, which is a tribute to German poet Heinrich Heine. Other notable features of the park are the large waterfall, the Wolf Gorge, and the old-fashioned lawns and gardens.

The Viktoriapark is a 16-hectare public park in the heart of the Kreuzberg district. It was the first public park to be built in the city in almost 100 years.

Sculpture in the Hansaviertel

The Hansaviertel Berlin was once an upper-middle-class area. It was destroyed during World War II when Allied bombs devastated the city. However, it was reconstructed with the help of some of the best architects in the world.

Lena Henke’s studio is located in the Hansaviertel. She produces sculptures and installations that explore the history of the neighborhood. These works are inspired by local architectural history, household artifacts, and labor.

One of her installations, a ramp, is covered in green linoleum. It descends from the back of the gallery into a small room. This space was once the kitchen of a former apartment.

Another installation, a bronze sculpture, looks over a busy intersection outside Hansaviertel. Its form and color scheme were developed with the client and architect.

Her newest sculptures explore the histories of the Hansaviertel. For example, she re-imagines the kitchen in chili pepper.

Sculpture in the Kaiser-Friedrich-Museum/Skulpturensammlung

The Skulpturensammlung (Skulpturenmuseum) is a large collection of ancient sculptures held by the Bode Museum. It is considered to be one of the largest such collections in the world. This collection consists of sculptures that date from the medieval period to the 18th century. They include works from Italy, France, Germany, and the Low Countries.

Sculpture displays at the Bode Museum can help you to learn about the history of Europe. These sculptures can show you how different cultures influenced the way people viewed the world. In addition, you can also get a better idea of the art of the Byzantine and Christian Orient.

You can find sculptures of many Renaissance artists. These sculptures include works by Michel Erhart, Tilman Riemenschneider, and Niclaus Gerhaert von Leyden. Also included are works by Donatello, who is known for his terracotta works.

Sculpture Anatomy

Sculpture anatomy is a vital aspect of any artist’s art. Artists have been doing dissections and examining the human body for centuries. Several famous artists have had a fascination with anatomy, including Leonardo da Vinci, Michelangelo, and Kate MacDowell.

Artists of the era who did dissections

During the Renaissance, Italian artists were fascinated with the study of the human body and often performed their dissections. They also made anatomical drawings. These drawings were intended to convey the moral and spiritual context of their time.

For instance, Leonardo da Vinci’s Vitruvian Man is an iconic depiction of the human body. He performed numerous anatomical dissections throughout his lifetime.

Another anatomical masterpiece of the era was Michelangelo’s David. He studied the human body and sculpted muscles in various positions. He began dissecting at age 18. He aspired to publish an anatomy book for artists.

He was exposed to both the art and science of dissection in the court of Lorenzo de Medici. It was a time when the anatomical study was a way of life for Italian philosophers. They viewed the body as a temple to the soul.

In 1535, Vesalius assisted with dissection at the University of Paris. His drawings were taken to Basel, Switzerland.

Michelangelo’s life-long interest in anatomy

Sculptor Michelangelo’s lifelong interest in sculpture anatomy was an important factor in his mastery of the human form. He acquired anatomical knowledge while growing up in Florence. He participated in public dissections in his early teens. He later studied with a group of physician-philosophers.

Michelangelo’s anatomical knowledge is especially evident in his musculature. He made molds of muscles and rendered muscle shapes in his sculptures.

Michelangelo’s anatomical interest reflected the culture of his time. The Renaissance in Italy ushered in an appreciation of the human body. It also brought a renewed interest in Classical thought. Architects must be good anatomy masters to create architectural masterpieces.

The Renaissance was a time of great intellectual development. Michelangelo’s artistic talent was coupled with high technical competence and rich imagination.

The Medicis’ court was a rich source of information. The family’s circle included physician-philosophers Elia del Medigo, Gaspar Becerra, and Marsilio Ficino. These men were all well-versed in medical texts and could perform dissections on the cadavers.

Leonardo da Vinci’s interest in anatomy

Sculpture anatomy was a subject of interest for Leonardo da Vinci. He was a polymath who was interested in many fields, but one of his most enduring interests was the human body. His drawings of the human body are renowned for their accuracy and beauty.

Leonardo was a self-taught anatomist who studied anatomy in a variety of ways. He dissected cadavers and studied the human body’s structures. He also studied the relationship of the human body to nature. He used the principles of geometry to study the human body’s configuration. He compared the parts of the human body with those of animals. He even studied topographic anatomy.

The most important aspect of his anatomical studies was his concern with proportion. He tried to draw a diagram that illustrated the ideal proportions of the human body in the form of a circle. He illustrated this with the Vitruvian Man. This is the same image that appears on the health insurance card of almost everyone in Germany.

Kate MacDowell’s digital ecorche

Sculptor Kate MacDowell creates hand-built porcelain figures that are delicately rendered with exquisite detail. Her work explores the human-nature connection. Her pieces have a biological accuracy that makes them seem as though they have been preserved. She draws inspiration from Greek mythology, as well as art history.

MacDowell’s works combine elements of nature with the human form to illustrate the fragility of life. She also addresses environmental issues, such as climate change, pollution, and human impact on nature. Her work is elegant, intricate, and disturbing. In addition to her ceramics, she has also collaborated with musicians on record covers. Her work has been shown in galleries and museums in the United States and Europe. She has also been published in several magazines and books. Her work has been featured in the Museum of Arts and Design and the Akron Crocker Art Museum. Currently, she lives in Portland, Oregon. She is represented by the Marianne Boesky Gallery in New York.

Kate MacDowell’s work is part of the Night Blooming Stock group exhibition at the Marianne Boesky Gallery in New York. Her installation Quiet as a Mouse will be on view.

How to Pronounce Sculpture

Sculpture is a word that can be used in several different ways. Some of these variations include spelling, origin, and alternative forms. Here are some of the common uses of the word, along with how to pronounce it.


The sculpture is an art that represents in bodily form objects, usually natural, but can also be human. There are many types of sculpture, including animalistic, landscape, still life, and human. Sculpture can be made from stone, metal, wood, or clay.

In a wide sense, sculpture dates back to prehistoric times. People in the Stone Age created a variety of simple sculptures, such as animals and humans. These statues were mostly used for religious purposes. In addition to sculpture, ancient communities made weapons for offense and domesticated cattle. The ancients also tilled the soil and smelted metals. They also burned bush vegetation.

The oldest statuettes are found in Swabian Jura, Germany. These statuettes are believed to have been created around 8,500 years ago. They depict humans, animals, and mythological subjects.

In the Middle Ages, the use of ivory sculpture was common. It was used for small works and was combined with gold for monumental works. The ivory sculpture was also used for pathetic subjects in modern times.

Alternative forms

The sculpture is a visual art that creates three-dimensional images. The sculpture is made of materials such as wood, stone, and metal.

Most sculptures are made of metal because it is very durable and has high tensile strength. Metals can be forged or cast into molds, and they can be worked in a variety of ways.

Clay is also a popular material for sculpture. Clay sculpture uses the same techniques that are used in utilitarian pottery. Clay sculpture can be inspired by a variety of ideas. Sculptors may use clay to produce a preliminary model, which can then be cast with other materials.

Paper-mache is a type of sculpture that is used mainly for applied arts. It is a strong material that can be used for masks and armor. It has also been used in sculpture in the Far East.

Fiberglass is another material used in sculpture. It is a lightweight shell that is strong and durable. It has also been used to make cheap substitutes for bronze.


The sculpture is art created in three-dimensional space. Unlike painting, it is a tactile and interactive art form. It is made from a variety of materials, including stone, wood, bronze, and precious metals.

The sculpture has been used as an art form since prehistoric times. People carved small animal and human figures into ivory and stone. These early sculptures were simple and sometimes had religious significance.

The sculpture has been used as a form of religious devotion throughout many cultures. Religions from ancient Egypt to ancient Greece to contemporary Islam and Buddhism have been known to use sculptural imagery as part of their religious ceremonies.

Ancient cultures have produced large quantities of sculpture. It is estimated that the earliest known works of sculpture date from 32,000 B.C. and the earliest known stone sculptures come from 32,000 B.C., though the earliest stone monuments are not found in all parts of the empire.

There are many kinds of sculpture, including the monumental. This term refers to a work of art that is attached to a building, but it also covers sculptures that are simply attached to the ground. The term can be applied to smaller works as well, including decorative reliefs and coins.

Sculpture Brancusi

Sculpture Brancusi is a very well-known and famous artist, he has created many masterpieces in his career. He specializes in sculptures with unique and abstract forms. He has been able to create pieces that can make you feel that the sculptures are life-like. He has done this by using different materials and styles. These include marble, bronze, and copper. He is a very talented artist and you should pay attention to him.

Atelier Brancusi explores the theme of verticality

Atelier Brancusi is a reconstruction of the artist’s studio in Paris. It displays 137 sculptures, 2 paintings, and over 1600 glass photographic plates. It also features an impressive number of art deco-inspired fittings. The triumvirate of Brancusi, Modigliani, and Rauschenberg attended the famous Impasse Ronsin. This quaint alley in Montparnasse, which was once home to the best of the best in Post War art, saw a renaissance in the 1950s and 1960s. The atelier is now located in a museum.

The studio was a hotbed of creativity for both young and old. A plethora of artists, including Pablo Picasso and Marcel Duchamp, hung around Brancusi’s esoteric abode. He had one or more studios dotted around Paris from 1904 until 1957. His work can be seen in galleries around the world. He was also a patron of the arts, helping to take on a young Isamu Noguchi as an apprentice in 1927.

The atelier also features a closed garden. In addition to being a place of artistic creation, it also played a vital role in the postwar art scene on the rue Impasse Ronsin. The French state agreed to re-create Brancusi’s space. Renzo Piano completed the reconstruction in 1977.

Among the 137 sculptures on display at the Atelier Brancusi, the most impressive feat was the opulently constructed abacus. The opulent is a talismanic piece of the illustrious artist, who was not only a patron of the arts but also a mentor to a large number of young talent.

Rodin’s influence on Brancusi

During the late 19th century, the French artist Auguste Rodin introduced new techniques to the art of sculpting. He also influenced the attitudes toward models and materials. His works were characterized by their geometric elegance and excellent craftsmanship.

The most important project in Rodin’s career was the Gates of Hell. The monumental work is a series of figures that were carved over thirty-seven years. The monument is an example of the artist’s innovative approach to sculpting.

Brancusi’s style of sculpture was influenced by his native Romanian folk culture and his study of woodcarving traditions. He studied at the Ecole Nationale des Beaux-Arts in Paris, as well as the Bucharest School of Fine Arts. He began his sculpting career with a statue of a young girl kneeling, which was the first step in his development toward simplified forms.

Brancusi also used fish, swans, seals, and other animals in his sculptures. He was particularly interested in the bird Maiastra, which he considered a symbol of the Romanian folk tale. He created twenty-eight variations of Maestra.

Brancusi also created a series of sculptures, known as “serial versions” of themes. One of the early serial works, “The Sorceress”, was inspired by a flying witch from a Romanian folktale.

Sculpture House Casting Plaster

Sculpture House Casting Plaster is a pure white gypsum product that is used to build mother molds and cast sculptures. It is sold in 3-pound units and cases of 12. It is a great choice for beginners because it is easy to work with and slow-setting, which makes it ideal for casting and mother mold building.

Miniature tools

Sculpture house casting requires a variety of equipment to ensure quality results. Miniature tools, also known as color shaping tools, can help you achieve the fine details you want on your sculpture. These tools have double wire ends and allow you to carefully shape the material with precision. Whether you are working with wax or clay, these tools can help you get the perfect shape.

Mold rubber

It’s very important to use the proper mold rubber for sculpture house casting. This is because the location of the mold will affect the integrity of the final work. A proper mold is made of high-quality silicone rubber and a plaster or fiberglass mother mold. The rubber mold will produce a hollow wax impression of the original sculpture. Split-pattern molds are made up of two sections, the top (or cope) and the bottom (or drag). The final step is to insert a core in the mold, which will create the angles and cavities.

For large sculptures, the mold rubber is called monumental. This type of mold is used for sculptures that are over 8 feet in height. Sculptors should warm up the metal to a liquid state before pouring it into the mold.

Mixing bowls

When you’re making plaster for sculptures, mixing the material in the right bowl is crucial. You may want to invest in mixing bowls that will provide you with the consistency you need. You can buy one with a small diameter to make mixing smaller batches easier. Or, you can buy one with a large diameter to make large batches.

The mixing bowls you buy should be durable. They should be dishwasher-safe and resist stains, odors, and other wear and tear. They should also be affordable. They should be durable enough to handle a heavy workload and still look great. Here are some tips for selecting the right bowl for your needs.

Mixing bowls are available in different sizes, from three quarts to eight quarts. There are also mixing bowl sets that include a prep bowl and two large bowls.


Plaster for sculpture house casting is a process that allows artists to replicate a sculptural work using plaster. Plaster is a hard, non-porous substance that consists primarily of calcined gypsum. It is crushed and heated between 250 and 350 degrees Celsius until it becomes a powder. Then, water is added and its reforms. This process can create a highly detailed model that is nearly indistinguishable from the original.

Plaster is a cheap material that hardens quickly, allowing for low-cost, mass-produced reproductions. These qualities helped to make plaster a popular medium for sculpting, though they also contributed to the demise of the practice. It is important to research the subject and determine the scale of the model before casting.

Sculpture House Casting Plaster is a high-quality, pure white gypsum product for sculpture house casting and mold-building. This product is available in case quantities of twelve.

Sculpture From Malo Island

Abbe Foure’s sculptures are found in Vanuatu’s St. Malo island. Among them is the sculpture of the ‘Malo Male’, which stands three meters high. His expression is intimidating and his blue pigmentation is dazzling. Today, the sculpture is displayed in the Louvre’s pavilion of sessions.

Abbe Foure’s sculptures

Abbe Foure’s sculptures are still present on the island, but they are not protected. They have deteriorated over the years due to the weather and the number of visitors. In 1907, he started carving rocks. He continued to carve rocks and wooden sculptures until his death in 1910.

During his 25-year-career, Abbe Foure carved over 300 pieces of rock on Rotheneuf, a small island on the Emerald Coast. Many of the rocks depict pirates and fisherman. Some of the sculptures are allegorical, depicting the adventures of a pirate family.

In 1870, Abbe Foure was only thirty years old when he suffered a stroke. This resulted in him losing his hearing and speech. He was also left paralyzed on one side of his body. Despite his disabilities, he still managed to carve hundreds of shapes into the rock at Rotheneuf. It is believed that he was an excellent wood carver, as well. In the following years, his cabin was converted into a museum. It was there that he received many visitors.

In 1893, Foure’s priestly activities were halted. Despite his failing health, he took a stand against the local authorities and eventually was dismissed from his office. The carvings of his house are included in a booklet devoted to Foure’s work.

Vanuatu’s St. Malo island

Malo, also known as St. Bartholomew Island, is located off the southern coast of Espiritu Santo, Vanuatu. The island is about 17 kilometres long and eight miles wide. Its highest point is Mount Malo. Sculptures of animals, fish, and birds are found throughout the island.

Survivors of a catamaran rescue

The Saint-Malo hit a rock called the Frouquie on its passage from Jersey to Sark. It was travelling in moderate to rough seas when the catamaran struck the rock. The emergency services were quick to arrive on the scene. Other nearby ships provided assistance. The survivors have set up a memorial in thanks to those who helped them.

The rescue took almost an hour and many people were left in shock, some of them nearing nervous breakdowns. Most of the survivors were older people and were stricken with fear. However, despite the dangers, there were some survivors who were able to hold onto hope for a better future. The French woman who was on board was one of them.

Irene Probstein, who escaped Nazi persecution from St Malo in 1940, was one of the last survivors of the rescue. She lives in Brookline, Massachusetts. She was nine years old when the rescue mission took place. She was on board a Jersey boat owned by Jim Langlois. Her family survived the event, and she and her husband recently celebrated their 70th wedding anniversary.